Most of the tragedies written by Shakespeare are revenge and ambition tragedies. For instance, Othello, Hamlet, King Lear and Macbeth are the dark tragedies showing revenge and ambition. However, there is an exception to this in the form of a romantic tragedy, rather the only romantic tragedy written by Shakespeare and that is Romeo and Juliet. Unlike the revenge/ambition tragedy, there are two tragic characters in Romeo and Juliet. Romeo becomes impulsive and acts without thinking about the consequences which brings in the separation and ultimately the death of the two lovers. Coming back to the revenge/ambition tragedies, there are some noticeable features which are dealt within the following part.
Tragic/Fatal Flaw
O farewell,
Farewell the neighing steed, and the shrill trump,
The spirit-stirring drum, th’ ear-piercing fife;
The royal banner, and all quality,
Pride, pomp, and circumstance of glorious war!
And O you mortal engines, whose rude throats
Th’ immortal Jove’s dread clamors counterfeit,
Farewell! Othello’s occupation’s gone. – Othello
A ‘tragic flaw’, by definition, is a personality trait that leads to the downfall of the protagonist. It can also be a wrong action performed by the protagonist that results in his own ruin. It is the most important element in the tragedy and almost every hero/heroine of a Shakespearean tragedy possesses a tragic flaw. Examples of tragic flaw in Shakespearean tragedy are: Macbeth’s obsession with power, Othello’s jealousy and Hamlet’s indecisiveness.
Supernatural Elements
By the pricking of my thumbs,
Something wicked this way comes. [Knocking]
Open locks,
Whoever knocks! – Macbeth Continue reading »
